Link

Social

Embed

Disable autoplay on embedded content?

Download

Download
Download Transcript


[Landmark Commission Meeting on October 7, 2024 ]

[00:00:03]

GOOD AFTERNOON, AND WELCOME TO , THE MEETING OF THE DALLAS LANDMARK COMMISSION STARTING PRECISELY ON TIME AT ONE O'CLOCK.

IT IS, UM, OCTOBER 7TH, AND I'M CALLING THE MEETING TO ORDER AT ONE.

EXACTLY.

UH, WE DO HAVE A QUORUM OF COMMISSIONERS HERE TODAY.

UH, WE NEED TO HAVE OUR STAFF, ELAINE, CALL THE ROLL, PLEASE.

ONE SEC.

WE'RE ABOUT TO HAVE A QUORUM.

OKAY.

WE GOT THREE ON THE SCREEN.

OKAY.

WELL THEN LET'S DO CALL ROLL RIGHT NOW.

THAT'D BE GOOD.

DISTRICT ONE, COMMISSIONER SHERMAN WILL NOT BE IN ATTENDANCE TODAY.

DISTRICT TWO, COMMISSIONER MONTGOMERY.

PRESENT, DISTRICT THREE.

COMMISSIONER FOGLEMAN.

PRESENT.

DISTRICT FOUR.

COMMISSIONER TAYLOR.

PRESENT.

DISTRICT FIVE.

COMMISSIONER ETT PRESIDENT.

DISTRICT SIX.

COMMISSIONER HENO HOSA.

DISTRICT SEVEN.

COMMISSIONER LIVINGSTON.

DISTRICT SIX.

COMMISSIONER HENO HOSA.

DISTRICT SEVEN.

COMMISSIONER LIVINGSTON.

DISTRICT EIGHT.

COMMISSIONER ACY.

DISTRICT NINE.

COMMISSIONER RENO.

PRESENT.

DISTRICT 10.

COMMISSIONER COX.

DISTRICT 11.

COMMISSIONER GATE PRESENT.

DISTRICT 12.

COMMISSIONER ROTHENBERGER.

PRESENT.

DISTRICT 13.

COMMISSIONER POSI PRESENT.

COMMISSIONER ANDERSON PRESENT.

COMMISSIONER RES PRESENT.

COMMISSIONER CUMMINGS PRESENT 11 IN ATTENDANCE.

AND IT APPEARS THAT COMMISSIONER PELOSI AND COMMISSIONER LIVINGSTON ARE KIND OF HERE, BUT THEY'RE NOT SHOWING UP YET.

PERHAPS THEY HAVE NOT BEEN ADMITTED PROPERLY.

THERE ARE BLANK SQUARES.

AND WE'RE ALSO GETTING AN ECHO TOO ON CAMERA.

THEY WOULD, SO COMM UM, LIVINGSTON'S POLICY.

AND WHOEVER'S COMPUTER IS ON IN HERE, PLEASE TURN IT OFF BECAUSE WE DON'T WANNA HEAR EVERYTHING TWICE.

MAYBE THEY'RE NOT TECHNICALLY BACK FROM LUNCH.

ALL RIGHT, WE WILL EVERYBODY HELP ME KEEP AN EYE FOR WHEN WE DO SEE COMMISSIONER SP.

COMMISSIONER BEI, COMMISSIONER BEI HAS JOINED US AND IS VISIBLE ON CAMERA.

WE ARE STILL AWAIT FOR COMMISSIONER LIVINGSTON.

IN THE MEANTIME, ONE OF OUR FIRST ORDERS OF BUSINESS BECAUSE COMMISSIONER PELOSI WAS NOT ABLE TO BE HERE IN PERSON, IS THAT WE HAVE TO CHOOSE A VICE CHAIR FOR THE DAY.

UH, ALL THOSE IN FAVOR OF COMMISSIONER PREZI, PLEASE MAKE A MOTION.

I MOVE THAT WE HAVE COMMISSIONER PREZI BE OUR VICE CHAIR TODAY.

SECOND.

ALL THOSE IN FAVOR? AYE.

AYE.

AYE.

ALL THOSE OPPOSED? NONE.

.

ALL RIGHT.

CONGRATULATIONS, COMMISSIONER PREE.

NOW, DO YOU HAVE SOME IMPORTANT WORK TO DO? I DO.

UH, DO WE HAVE A MOTION TO PULL AN ITEM FROM THE CONSENT AGENDA? IT'S SO MOVED.

OH, MOVED.

ALL RIGHT.

SO WE HAVE A MOTION TO, UH, POLL, UH, C FOUR FROM THE CONSENT AGENDA FOR DISCUSSION TODAY.

SECOND.

ALL THOSE IN FAVOR? A.

AYE.

ALL RIGHT.

WE ARE POLLING THAT ONE AND ADDING IT TO DISCUSSION.

OKAY.

AND NOW I HAVE A MOTION TO, UH, REARRANGE THE AGENDA FOR THE DAY.

AND THIS IS A LONG ONE.

IT'S A LOT OF, WE HAVE A LOT OF CASES TODAY.

SO WE'RE GONNA DO C FOUR.

UH, COURTESY REVIEW SIX.

COURTESY REVIEW ONE, COURTESY REVIEW TWO.

DISCUSSION ITEM ONE, DISCUSSION ITEM THREE, DISCUSSION ITEM EIGHT, COURTESY REVIEW, THREE, FOUR, AND FIVE.

AND THEN DISCUSSION ITEMS 2, 4, 5, 6, AND SEVEN.

[00:05:01]

AND HOPEFULLY I DIDN'T MISS ANY NUMBERS.

4, 5, 6, AND SEVEN.

YES.

THE FIRST ONE WAS C FOUR.

THE COURTESY REVIEW COURTESY.

LET ME KNOW.

UM, C FOUR, CR SIX, CR ONE, CR TWO.

YEAH.

AND THAT REFLECTS, UH, WHERE WE HAVE SPEAKERS SIGNED UP AND ARE TRYING TO PRIVILEGE THEM.

OKAY.

WELL, WE MOVED, UM, CONSENT ITEM FOUR TO DISCUSSION AND THAT MOTION.

AND NOW WE ARE DISCUSSING REORDERING.

YEAH, I MOTIONED AND ANDERSON'S SECOND.

SECOND.

AND THE POLLING ITEM.

OKAY.

DID, SO DID WE ACTUALLY VOTE ON IT? I DON'T THINK WE VOTED ON IT.

WE HAVEN'T VOTED ON IT YET.

YEAH.

OKAY.

SO WHO IS THE SECOND ON OUR, UM, REARRANGING ? EVERYONE'S HAVING MORE FUN THAN THEY'RE SECONDING.

UM, WHO WAS THE SECOND ON THE REARRANGING THE SCHEDULE? I THOUGHT IT WAS MR. CUMMINGS.

IT WAS MR. CUMMINGS.

ALL RIGHT, ALL THOSE IN FAVOR OF REARRANGING THE SCHEDULE, PLEASE SAY AYE.

AYE.

AYE.

AYE.

THAT APPEARS TO HAVE PASSED.

AYE, WITH CONTINUING ECHO AS FAR AS I CAN TELL, NO, WE THINK WE, WE THINK WE FIGURED IT OUT.

IT'S THAT.

AYE, .

ALL RIGHT, LET US TURN IT OFF NOW.

ALRIGHT, NOW.

ALL RIGHT, NOW CONSENT ITEMS. OKAY, SO LET'S SEE.

DID WE HAVE ANYBODY THAT NEEDS, DIDN'T WE HAVE A RECUSAL? YEAH.

RECUSAL FOR CONSENT ITEMS IS THAT THREE COMMISSIONER CUMMINGS WILL BE RECUSING HIMSELF ON CONSENT.

ITEM THREE.

UH, WELL, WE'LL, WE'LL VOTE ON, UM, UH, CONSENT ITEMS ONE AND TWO BASED ON STAFF RECOMMENDATIONS.

BEFORE WE DO THAT, IF THERE IS ANYONE WHO HAS SIGNED UP TO SPEAK ON A CONSENT AGENDA ITEM, UH, UH, IF YOU WERE JUST HERE TO ANSWER QUESTIONS, WE APPARENTLY DON'T HAVE ANY QUESTIONS SO FAR.

IF YOU HAD SOMETHING YOU NEEDED TO ACTUALLY PRESENT TO US, PLEASE LET US KNOW.

OTHERWISE WE'RE MOVING FORWARD.

OKAY? UH, YOU HAVE TO DO THE, THE COMPUTER RAISING YOUR HAND FIRST.

NOTICE IF YOU'RE AT HOME.

NO, WE STILL, OKAY, SO I CAN DO ACTUALLY ONE, TWO, AND THE REST.

JUST EDIT FOLLOWING EXCEPT THREE.

YEAH, LET'S DO 'EM ALL.

I'LL DO THREE FIRST AND THEN DO ALL THE REST.

ALL RIGHT.

SO WE'LL, WE'LL GO AHEAD AND, UH, TAKE, UH, CONSENT ITEM THREE FIRST, UH, SINCE WE HAVE OUR RECUSAL FOR THAT.

AND COMMISSIONER CUMMINGS IS EXITING THE ROOM RAPIDLY.

YEAH.

OKAY.

SO WE HAVE A MOTION TO APPROVE C3 BASED ON STAFF RECOMMENDATIONS.

SECOND ROTHENBERGER.

OKAY.

THE MOTION IS TO FOLLOW STAFF RECOMMENDATIONS FOR C3.

ALL THOSE IN FAVOR, PLEASE SAY AYE.

AYE.

AYE.

AYE.

AND OPPOSED? ANY OPPOSED? YES, MS. MR. PREZI MADE THE MOTION.

MR. ROTHENBERGER SECONDED AND IT CARRIED UNANIMOUSLY ON C3.

WE CAN ASK MR. CUMMINGS TO COME BACK IN.

YEP.

CAN WE GET MR. CUMMINS BACK IN ALL THE NUMBERS COMING? DO WE HAVE 15? WE HAD 15.

OH WAIT, DON.

OKAY, SO WE HAVE, UH, CONSENT AGENDA ITEMS ONE, TWO, AND THEN FOUR THROUGH, UH, SORRY, FIVE THROUGH 15.

THANK YOU.

IT'S A LOT OF NUMBERS TODAY.

UH, MOTION FOR APPROVAL BASED ON STAFF RECOMMENDATIONS.

SECOND.

A ROTHENBERGER.

THANK YOU COMMISSIONER ROTHENBERGER FOR YOUR SECOND.

ALL THOSE IN FAVOR OF THIS MOTION, PLEASE SAY AYE.

AYE.

AYE.

A I APPEAR THIS LY SO IF YOU WERE ON THE CONSENT AGENDA AND WERE, UH, NOT NUMBER FOUR , YOU HAVE, UH, HAVE BEEN YOUR, HAD YOUR APPLICATION RESOLVED ACCORDING TO THE STAFF RECOMMENDATIONS.

AND YOU CAN LEAVE IF YOU WANT THIS.

WE'RE NOT THAT ENTERTAINING.

ALL RIGHT.

NOW FIRST CASE THAT WE'RE GOING TO HEAR IS C FOUR CHRISTINE, WE'LL LET THE STAFF READ THAT IN AND THEN WE WILL HAVE A SPEAKER ON THIS.

OKAY.

CHRISTINA PRESS ON BEHALF OF STAFF CONSENT ITEM NUMBER 4 7 0 4 LOWELL STREET, JUNIORS HEIGHTS, HISTORIC DISTRICT CA 2 4 5 0 0 9 CP.

REQUEST

[00:10:01]

A CERTIFICATE OF APPROPRIATENESS TO IN INSTALL LANDSCAPING IN FRONT YARD.

STAFF.

RECOMMENDATION THAT THE REQUEST FOR A CERTIFICATE OF APPROPRIATENESS TO INSTALL LANDSCAPING IN FRONT YARD BE APPROVED IN ACCORDANCE WITH PLANS DATED TEN SEVEN TWENTY FOUR.

THE PROPOSED WORK IS CONSISTENT WITH PRESERVATION CRITERIA 3.5 B, THE STANDARDS IN CITY CODE SECTION 51 A DASH 4 5 0 1 G SIX C ROMAN ONE FOR CONTRIBUTING STRUCTURES AND THE SECRETARY OF THE INTERIOR STANDARDS TASK FORCE RECOMMENDATION THAT THE REQUEST FOR CERTIFICATE OF APPROPRIATENESS TO INSTALL LANDSCAPING IN FRONT YARD BE APPROVED.

AS SHOWN THERE WAS A SPLIT DECISION.

THREE YESES, THREE NOS REASONS FOR OPPOSITION ARE NUMBER ONE, HISTORIC LANDSCAPES ARE PRIMARILY GRASS AND FOUNDATION PLANTING.

AND NUMBER TWO, SUCCULENTS NOT APPROPRIATE TO JUNIOR HEIGHTS.

I JUST WANT TO NOTE THAT HE HAS REMOVED THE SUCCULENTS SINCE THAT REVIEW.

OKAY.

ALRIGHT, NOW WE HAVE A SPEAKER.

HELLO.

WELCOME BACK.

PLEASE BEGIN BY GIVING US YOUR NAME AND YOUR ADDRESS.

FIVE.

AND YOU PROMISE TO TELL THE TRUTH TODAY? YES, SIR.

OKAY.

SIR, YOU HAVE THREE MINUTES TO TELL US WHAT YOU NEED TO INFORM US ABOUT, ABOUT YOUR PROJECT LAST TIME HERE FOR, UH, I WILL MOVE FORWARD WITH THE, EXCUSE ME, MADAM CHAIR.

PARDON? YES.

HANG ON.

SOMEONE WANTS TO, UM, ASK ME SOMETHING.

UH, SPELL ACY.

UM, IT SOUNDS AS THOUGH THE BRIEFING ROOM IS ON, AND THAT'S HOW WE'RE PICKING UP THE SPEAKER, BUT PERHAPS THE, UH, MICROPHONE AT THE PODIUM IS NOT OKAY.

STAFF WILL PLEASE CHECK, CHECK THE MICROPHONE AND MAKE SURE IT'S ON.

THIS HAPPENS ALL THE TIME.

IS THAT BETTER? YES.

I'M SURE IT'S BETTER.

.

THAT'S VERY LOUD.

ALL RIGHT.

SHALL I START OVER? .

OKAY.

LAST TIME I WAS HERE, THE STONES WERE, UH, WHAT WERE IN THE WAY ALONG WITH THE SUCCULENTS, THE STONES HAD BEEN REMOVED AND THE SUCCULENTS CHANGED TO GROUND COVER.

OKAY.

I WANT TO POINT OUT THAT THIS BLOCK, THERE ARE 14 HOUSES, SIX OF WHERE AND ALL ARE ON SLOPES.

THE, THE, UH, NORTH, THE WESTERN SLOPE, THEY'RE ABOUT FIVE FEET SLOPING TO THE SIDEWALK.

AND OUR SIDE, THE SIDE OF 7 0 4 IS ABOUT THREE FEET.

BUT THE, THE PROBLEM IS THAT WHEN THEY BUILT THESE HOUSES AND THE HISTORIC DISTRICT, AND I AM TOTALLY FOR THE HISTORIC, UH, DISTRICT, THE COMMISSION AND THE LANDMARK, BUT THERE WERE NO TREES.

AND NOW WE HAVE 33 BIG SHADE TREES.

AND THE GRASS ON THE SLOPES OF SEVERAL OF THESE HOUSES DOES NOT GROW.

SO WHEN IT RAINS, THE MUD SLIDES DOWN ON THE WALK AND IT'S GOTTA BE CLEANED OFF.

MY PROJECT I AM PROPOSING, WHEN YOU LOOK AT THE GROUND COVER AT THE FRONT BY THE WALK, IS THE SHADE OF THE TREES.

THAT IS THE, THAT IS THE LINE THAT I CUT OUT OF GRASS.

IT JUST STRUGGLES AND LOOKS PARABLE AND THE MUD JUST FALLS.

THE REST OF IT, THE GRASS IS KEPT WITH THEN GARDENS ON THE SIDE.

AND SO I REQUEST THAT WE PASS AND MOVE ON.

ALL RIGHT, THANK YOU SIR.

NOW DO ANY COMMISSIONERS HAVE ANY QUESTIONS FOR THE APPLICANT OR STAFF? MR. ANDERSON, DOES THIS LANDSCAPE DESIGN APPROPRIATE TO 1920S? UM, JUNIOR HEIGHTS IN THE TWENTIES, THEY DIDN'T HAVE GARDENS.

THEY DIDN'T HAVE GRASS.

OKAY.

THEY DIDN'T HAVE GRASS AS A PRO PRO, NO, THEY DIDN'T HAVE GRASS.

THIS WHAT WE HAVE HERE.

THERE WERE WEREN'T SPRINKLER SYSTEMS AND THE GRE TREES THAT WERE

[00:15:01]

PLANTED IN THIS TIME WERE ALL ON THE CURB.

AND NOW THEY'VE GROWN UP AND WE HAVE SEVERAL MORE HOUSES THAT HAVE SPOTTY GRASS THAT, UH, I WANT TO GET GROWING THE GROUND COVERS AND MAKE IT LUSH.

IT'S A GORGEOUS BLOCK.

AND THE HISTORY IS ABOUT THE HOUSES, NOT THE GRASS.

AND THAT'S WHERE, UH, I THINK IT IS NECESSARY TO ADDRESS THE GRASS DOES NOT GROW IN THE SHADE OF THESE BIG TREES.

THERE ARE 31 BIG TREES I UNDERSTAND ON THIS BLOCK.

OKAY.

OKAY.

ALRIGHT.

ARE THERE ANY OTHER QUESTIONS IN THE ABSENCE OF WHICH WE WOULD NEED A MOTION? I'M READY TO MAKE A MOTION.

GO AHEAD.

COMMISSIONER ANDERSON, IN THE CASE OF CA 2 45 DASH ZERO NINE CP 7 0 4 LOWELL STREET CONDITIONED APPROVAL, A PORTION OF THIS DESIGN IS NOT APPROPRIATE, WILL NOT, WILL HAVE AN ADVERSE EFFECT ON THE DISTRICT.

UM, THE CONDITIONS REMOVE THE LARGE KIDNEY SHAPED, UM, ISLAND AND AND REPLACE THAT WITH GRASS PERIOD.

WITH THE FINDING OF FACT, THE DESIGN IS TO BE CONTEMPORARY AND IT IS NOT APPROPRIATE HISTORIC DISTRICT AND FRONT YARDS IN THIS DISTRICT.

WERE PRIMARILY GRASS WITH FOUNDATION PLANTS.

I'M MAKING AN EXCEPTION BECAUSE I THINK THE DESIGN IS ALSO TOO LARGE.

BUT I UNDERSTAND THE, THE NEED FOR THE GROUND COVER AT THE FRONT.

SO I THINK BY REMOVING THAT LARGE KIDNEY SHAPE, YOU'LL HAVE LAWN WHERE IT NEEDS TO BE.

AND I THINK THAT'S A GOOD COMPROMISE.

I WILL SECOND THE MOTION.

THANK YOU FOR YOUR SECOND COMMISSIONER POSI.

NOW DO ANY CO COMMISSIONERS HAVE A COMMENT ON THIS APPROVAL WITH CONDITIONS MOTION? APPARENTLY NOT.

UNLESS SOMEONE HOME IS WAITING.

I MEAN, I CAN'T SEE THEM.

YOU WANT ME TO TAKE IT DOWN? NO, IT'S OKAY.

THEY WOULD SPEAK UP.

I'M SURE THEY WERE I TO GET MY ATTENTION.

ALL RIGHT, THEN I WILL CALL FOR THE VOTE.

ALL THOSE IN FAVOR OF THIS MOTION PLEASE SAY AYE.

AYE.

AYE.

AYE.

ANY OPPOSED TO THIS MOTION? NAY.

OKAY.

WAS ANYONE AT HOME OPPOSED TO THIS MOTION? THEREFORE THE MOTION HAS CARRIED AND IT IS AN APPROVAL WITH CONDITIONS.

OKAY.

WE WANT TO CLARIFY JUST SO THAT THERE'S NO MISUNDERSTANDING.

I'M TRYING TO PUT IT BACK UP.

.

OKAY, SO THEY'VE APPROVED THE LANDSCAPE AS W WELL I'M GONNA USE THIS POINT WITH, WITHOUT THAT, I GOT THAT.

OKAY.

SO I JUST WANTED TO MAKE SURE EVERYBODY IS CLEAR.

YES, WE, WE ARE ALL NOW CLEAR THANKS TO YOUR POINTER, .

SO WE'RE TO SEE WHAT PART WE'RE TALKING ABOUT WE WILL NOT BE HAVING IN THIS LANDSCAPE.

ALRIGHT SIR.

GOOD LUCK WITH YOUR LANDSCAPE.

THANKS.

MM-HMM, .

NEXT UP WE HAVE COURTESY REVIEW NUMBER.

ALL RIGHT.

THEY TWO KNOWS.

WERE COMMISSIONER REEVES AND COMMISSIONER? YEAH.

I THOUGHT IT WAS COMMISSIONER RENE.

ALL RIGHT, NOW WE DO COURTESY REVIEW NUMBER SIX.

OKAY.

GOOD AFTERNOON.

THIS IS DR.

RHONDA DUNN PRESENTING ON BEHALF OF CITY STAFF COURTESY REVIEW ITEM SIX.

THE SUBJECT PROPERTY IS CITED AT 7 0 6 MAIN STREET IN THE WEST END HISTORIC DISTRICT.

THE CASE NUMBER IS C 2 45 0 0 1 RD.

THE REQUEST IS FOR A COURTESY REVIEW TO CREATE A NEW SIGNED SUBDISTRICT IN THE WEST END HISTORIC SIGNED DISTRICT.

UH, CORRECTION.

IT'S ON, IT'S GOING TO BE ON THE EAST ELEVATION OF THE LAWYERS' BUILDING STAFF.

RECOMMENDATION IS THAT IT'S A COURTESY REVIEW, NO ACTION IS REQUIRED.

THAT THE REQUEST TO CREATE A NEW SIGNED SUBDISTRICT IN THE WEST END HISTORIC SIGN DISTRICT ON EAST ELEVATION OF LAWYERS BUILDING BE CONCEPTUALLY SUPPORTED WITH THE UNDERSTANDING THAT THE FINAL DESIGN AS WELL AS ANY ASSOCIATED SITE PLANS, ELEVATIONS, RENDERINGS, AND DETAILS ARE TO BE SUBMITTED FOR SPECIAL SIGN DISTRICT

[00:20:01]

ADVISORY COMMITTEE S-S-D-A-C REVIEW.

PARDON ME? WE'RE DOING, UM, PAPERWORK HERE.

OKAY.

SORRY.

THAT HAS NOTHING TO DO WITH WHAT WE'RE DOING RIGHT NOW.

WE ARE DOING CR SIX AND WE DO HAVE SPEAKERS.

YES.

AND ON YOUR SCREEN IS, OH, SOMEONE WAS SUPPOSED TO READ THE DESIGNATION COMMITTEE.

OH YEAH.

SOMEONE FEEDBACK MADE THE DESIGNATION COMMITTEE.

WHO VOLUNTEERS THE DESIGNATION COMMITTEE? NO, IT'S, UH, IT'S REAGAN'S COMMISSIONER BERG.

WE DON'T HAVE FIRST NAMES, I FORGOT.

THAT'S OKAY.

OKAY.

ONE DESIGNATION COMMITTEE FEEDBACK, COURTESY REVIEW COMMENTS ONLY, WHICH ARE AS FOLLOWS.

THE COMMITTEE CONSIDERS THE INSTALLATION OF A SUPER GRAPHIC APPROPRIATE BASED ON PRECEDENCE WITHIN THE WEST END HISTORIC DISTRICT.

NUMBER TWO, AN EXPRESSED CONCERN WAS THE ABILITY OF THE SU SUSPENDED GRAPHIC TO RESIST WIND DAMAGE AND NOT DAMAGE TO THE HISTORIC MATERIAL.

NUMBER THREE, THE ATTACHMENT SYSTEM WAS DISCUSSED.

THERE IS NO DOCUMENTATION PROVIDED SHOWING THE FLOOR STRUCTURE IN RELATION TO THE PROPOSED ATTACHMENT POINTS.

NUMBER FOUR, DISCUSSION ALSO INCLUDED, UH, CAN THE NUMBER OF ATTACHMENT POINTS BE REDUCED BASED ON SPECIFICATIONS PROVIDED, UH, IN ESTIMATED 72 ATTACHMENT POINTS AS THERE ARE 72 ATTACHMENT POINTS.

NUMBER FIVE, THE ATTACHMENT POINTS INVOLVE A 14 BY 14 PLATE WITH THREE QUARTER INCH ALL RED.

IT IS ACCEPTED PRACTICE TO ONLY DRILL NEW HOLES WITHIN THE MORTAR JOINTS OF HISTORIC MASONRY WALLS.

THE SIZE OF THE PLATE DOES NOT ALLOW FOR BOLTS TO BE PLACED ON THE CENTER LINE OF THE JOINTS.

AND THE SIZE OF THE BOLTS IS GREATER THAN THE WIDTH OF THE MORTAR JOINTS.

THANK YOU.

AND NOW WE'RE READY FOR SPEAKERS.

, THE SIGN IS GOING ON THE OTHER SIDE, RIGHT? NO, IT'S GOING TO BE ON THIS SIDE.

UH, VICTORIA INFORMED ME THAT THEY WEREN'T ALLOWED TO PUT IT ON THE OTHER SIDE BECAUSE OF THE, UH, HIGHWAY BEAUTIFICATION ACT.

OH.

SO IT'S GOING TO BE ON THIS SIDE.

SO IT WILL BE FACING AWAY FROM THE JFK MEMORIAL.

OKAY.

YES.

OKAY.

GOOD TO KNOW.

SO, UH, PLEASE BEGIN WITH YOUR NAME AND ADDRESS AND YOUR PROMISE TO TELL US THE TRUTH.

SURE THING.

VICTORIA MORRIS WITH JACKSON WALKER, 2323 ROSS AVENUE, SUITE 600.

I PROMISE TO TELL THE TRUTH.

ALL RIGHTY.

AND, UH, YOU HAVE THREE MINUTES TO DISCUSS YOUR PROJECT WITH US.

THANK YOU.

MAY I FOR, UH, HAVE THE CAPABILITY TO, TO PROJECT MY PRESENTATION ON WEBEX? HOPEFULLY, SINCE THE TECHNICAL PERSON IS NOT AT HER DESK.

.

OH, THERE YOU ARE.

GOOD.

VICTORIA MARS.

OKAY.

OH, AND COMMISSIONER LIVINGSTON HAS JOINED US.

IT IS SHOWING UP AS SHARED ON MY SCREEN, BUT I, I'M ASSUMING NOT.

OKAY, YOU ARE WELCOME.

[00:25:07]

I AM JUST THE SCREEN.

I CAN TRY TO STOP SHARING.

I'M JUST WAITING FOR YOUR INSTRUCTION.

'CAUSE YOU KNOW, AS SOON AS I CLICK STOP SHARE IT WILL.

OKAY.

YES.

I SAW ME ONCE.

THAT WAS, UH, FOR 2020.

HAVE YOU TRIED TO UNPLUG IT AND PLUG IT BACK IN, IN AGAIN WHEN THE PANDEMIC WAS HAPPENING? ANYWAY, WEST END HISTORIC SIGN DISTRICT.

THANK YOU ALL FOR HAVING US.

VICTORIA MORRIS JACKSON WALKER JOINED TODAY WITH, UH, AARON WATKINS AND STEVE EDGINGTON WITH BIG OUTDOOR THE APPLICANT AND THE PROPOSED OPERATOR OF THE SUPER GRAPHIC SIGN.

DURING THE BRIEFING, IT WAS ASKED HOW MANY, UM, SUPERGRAPHICS ARE IN THE WEST END HISTORIC DISTRICT.

THERE ARE THREE CURRENTLY, SO THIS WOULD BE THE FOURTH.

EACH OF THESE ARE PERMITTED VIA A SUBDISTRICT SIMILAR TO THIS APPLICATION, THE PURSE BUILDING, ANTIOCH CHURCH AND MKT.

THE LATEST WAS THE MKT SUBDISTRICT, WHICH WAS APPROVED BY COUNSEL ON AUGUST 14TH, 2024.

HERE IS JUST AN AERIAL OF THE BUILDING AND THE YELLOW LINE ON THE, UH, RIGHT HAND SIDE.

THE EAST FACADE IS THE PROPOSED FACADE FOR THIS SUPER GRAPHIC SIGN.

AGAIN, DURING BRIEFING IT WAS BROUGHT UP WHETHER OR NOT IT WOULD BE VISIBLE FROM THE JOHN F. KENNEDY MEMORIAL PLAZA FROM THE, UH, DALLAS COUNTY COURTHOUSE AND, UH, THE DALLAS COUNTY TAX OFFICE.

AGAIN, JUST SHOWING THAT THIS WILL BE FACING, UH, THE EAST.

UH, AND THAT IS PARTIALLY DUE TO THE HIGHWAY BEAUTIFICATION ACT.

IT IS NOT ABLE TO BE VISIBLE FROM, UH, COMMERCE STREET AND JUST ZOOMED OUT FURTHER FOR FURTHER ORIENTATION PURPOSES.

SO THE PROPOSED LAWYERS BUILDING SUBDISTRICT IS TO ALLOW A SUPER GRAPHIC SIGN AT 7 0 6 MAIN STREET.

THE LAWYERS BUILDING SAME CONDITIONS AS THE RECENTLY APPROVED MKT SUBDISTRICT, THOUGH WE WERE WORKING WITH STAFF AND THEY ASKED IF WE WOULD, UM, REDUCE THE MINIMUM SQUARE FOOTAGE OF THAT SIGN.

UM, JUST TO ALLOW FOR A BIT MORE FLEXIBILITY.

UM, IN TERMS OF THE SIGNS THAT ARE PERMITTED THROUGHOUT THE DISTRICT, UM, WITH THE MINIMUM SIZE OF 1,200 SQUARE FEET AND A MAXIMUM SIZE OF 6,500 SQUARE FEET.

UH, THE PROPOSED SIGN THAT WE ARE CONTEMPLATING TODAY IS ABOUT 2,500 SQUARE FEET.

HERE IS AN ELEVATION.

AGAIN, JUST PERSPECTIVE TO SEE WHERE IT WOULD BE AFFIXED TO A CLOSEUP VERSION OF THAT ELEVATION.

AND SOME INFORMATION REGARDING THE FASTENING DETAILS THAT WERE ORIGINALLY PROPOSED WITH THIS REQUEST.

DURING THE DESIGNATION COMMITTEE MEETING, WE RECEIVED SOME FEEDBACK REGARDING, UH, THE SIZE OF THE ANCHORS AND THE SIZE OF THE THREADED RODS.

OUR ARCHITECT, OR EXCUSE ME, OUR ENGINEERS WITH US TODAY.

AND WERE PREPARED TO ANSWER SOME OF THOSE COMMENTS AND QUESTIONS THAT WE RECEIVED.

UM, AND WITH THAT, I'LL YIELD MY TIME TO STEVE, UM, OR ENTERTAIN ANY QUESTIONS THAT YOU ALL MAY HAVE.

SO THANK YOU AND UNDERSTAND THAT THIS IS A COURTESY REVIEW, BUT WOULD APPRECIATE, UH, SUPPORT.

THANK YOU.

OKAY, SO MR. EDINGTON WILL BE NEXT.

AND I FORGOT THIS IS THE COURTESY REVIEW.

YOU DON'T ACTUALLY HAVE TO PROMISE TO TELL THE TRUTH.

YOU COULD LIE IF YOU WANTED, BUT DON'T, BECAUSE THAT WOULDN'T BE HELPFUL, .

BUT WE STILL NEED YOUR NAME AND ADDRESS, SIR.

[00:30:01]

UH, EVEN THE ATTORNEY.

ONE MORE.

CONGRATULATIONS ON REMEMBERING THAT YOU LEFT A LITTLE LIKE A DEER IN THE HEADLIGHTS THERE.

.

WELL, ALL RIGHT, SIR, WHAT CAN YOU TELL US ABOUT THE ENGINEERING ASPECT OF THIS? UM, SO GOING BACK TO THE IONS, UM, SPECIFICALLY THE MEMBER OF THE , WE CAN TAKE THAT DOWN EASILY TO 64.

THE LOOK AT IT FURTHER THAN THAT, THE REASON IT IS DIVIDED THE WAY IT IS , UM, YEAH, PLEASE, RIGHT HERE FOR ME, EXTEND BEYOND FACE WITH NO SIX INCHES.

THEY VARY THROUGHOUT ABOUT 58 OF THEM ELEVATION.

AND SO WHAT WE'RE TRYING TO DO IS PUSH THE TRAFFIC OUT AND GO HO GO OUT BEYOND.

SO IF YOU DON'T TEAR THOSE UP THROUGH, UH, .

MADAM CHAIR, HANG ON.

I BELIEVE THE MICROPHONE MAY BE OFF.

IS THAT WHAT YOU'RE ASKING ABOUT? YES, MADAM CHAIR.

THANK YOU.

OKAY.

NOW THE MICROPHONE IS ON, ON TRY IT.

UM, ARE YOU ME TO REPEAT THAT LAST PART? YEAH, YOU BETTER 'CAUSE THEY COULDN'T HEAR YOU AT HOME.

CAN YOU HEAR NOW? COMMISSIONER PEL WHEN HE SPEAKS.

ALRIGHT, GOOD.

OKAY.

SO THE REASON FOR PUSHING THE GRAPHIC OFF THE FACE OF THE BUILDING, UH, WAS TO AVOID THE BRICK LEDGES THAT YOU SEE, UH, CURRENTLY SHOWN ON THE, UH, UH, SHARED FEED.

THOSE EXTEND OUT ROUGHLY SIX INCHES FROM THE FACE OF THE BUILDING.

AND SO COME UP WITH A DESIGN THAT ALLOWS US TO GO OFF ABOUT 10 INCHES OFF THE FACE OF THE BUILDING.

UM, GIVES US A LITTLE BIT OF A LEEWAY FOR POSITIVE WIND PRESSURE BECAUSE IT'S GONNA BLOW IN TO THE, TO THE GRAPHIC AND TRY TO PUSH OR TOUCH, UH, THOSE BRICKS.

THAT'S THE, THAT'S THE REASON FOR THE OFFSET.

UM, AND THEN AGAIN, IT WOULD ALSO TEAR UP THE BRICK.

IT WOULD TEAR UP THE, THE GRAPHIC AND WANT THAT.

UM, SO THE REASONING FOR THE, THAT'S THE REASON FOR THE DESIGN.

AND THEN THE NUMBER OF FASTENERS IS JUST KIND OF WHAT WAS, UM, REQUIRED FROM A NEGATIVE WIND LOAD PERSPECTIVE.

UH, TRYING TO NOT OVERLOAD ANY SINGULAR POINT ON THE BUILDING OR CREATE A HIGHLY CONCENTRATED LOAD AT ANY POINT.

YOU'RE TRYING TO SPREAD IT OUT AS MUCH AS POSSIBLE.

UM, AND THEN ANY QUESTIONS ON THAT ONE? GO TO THE NEXT TOPIC.

WE USUALLY, WELL THIS IS A COURTESY REVIEW, THEY DO IT DIFFERENTLY.

UM, BUT WE USUALLY HEAR FROM EVERYBODY WHO'S GOING TO SPEAK IS, IS MS. WATKINS ALSO.

OH, I'M SORRY.

I WAS GONNA GO THROUGH THE, THERE WAS A COUPLE OTHER TOPICS ON THERE REAL QUICK.

OH YEAH, GO AHEAD AND DO THAT, AND THEN WE WILL GET BACK TO YOU.

OKAY.

BECAUSE WE'D LIKE TO HEAR HOW YOU COVER ALL OF THEM.

THEY'RE ALL SORT OF CONNECTED ANYWAY.

OKAY.

UNDERSTOOD.

GOOD.

ABOUT CONNECTORS.

OH, I'M SO SORRY.

.

UM, THE, UH, THE OTHER, THE, THE NEXT ONE, I GUESS THE LAST POINT ON HERE REGARDING THE PLATE SIZE, UH, BEING 14 BY 14, THAT WE JUST NEED TO FIELD VERIFY, UH, BEFORE WE GO OUT THERE TO FORMALLY INSTALL.

AND WE'LL DO THAT AND PERFORM A SURVEY.

THAT'LL ALSO GIVE US THE INFORMATION NEEDED TO, UH, CONFIRM WE'RE AVOIDING THE FLOORS, UM, AT EACH LEVEL, THE, UH, THE ALL THREAD SIZE BEING THREE QUARTER, WE CAN EASILY REDUCE THAT.

WE CAN TAKE THAT DOWN TO THREE EIGHTHS TO FIT WITHIN THE MORTAR JOINT AND, UH, MOVE THE HOLE LOCATIONS.

AGAIN, THAT'LL BE FIELD VERIFIED WHEN WE GO OUT THERE TO, TO DRILL.

UH, WE CAN, WE CAN DRILL THE PLATES IN THE FIELD.

AND, UH, JUST TO ENSURE THAT WE'RE, WE'RE HITTING ONLY MOTOR JOINTS AND NO BRIDGE SPACE.

UM, BEYOND THAT, THE, OH, THE, THE LAST POINT, YES, SORRY, WAS NUMBER THREE, WHICH WAS, UM, THE FLOORS, WHICH WILL SHOW IN A, IN A SURVEY ON THE FINAL DESIGN THAT WE GET SUBMITTED TO BUILDING AND SAFETY.

BUT IF WE NEED TO DO THAT AHEAD OF TIME, WE CAN ALSO THAT.

OKAY.

ALL RIGHT.

THANK YOU.

AND, UM, AT THE DESIGNATION FITTING, I'M NOT SURE WE'RE LOOKING AT THIS EXACT WALL, IT SEEMS TO HAVE A SKIM COAT OF SOMETHING COVERING ALL THE BRICKS.

SO COMMISSIONERS AND OR APPLICANTS, PLEASE DISCUSS WHETHER I'D BE ABLE TO SEE WHERE THE PORCH, SORRY.

MAYBE CLOSE.

THAT'S, I WAS GONNA, THAT WAS MY FIRST QUESTION.

THAT'S NOT HARD.

I DON'T KNOW.

.

YEAH.

MY FIRST QUESTION WAS GONNA BE, HOW ARE YOU GOING TO GET IT? NO, YOU'RE GONNA GET IT INTO THE MORTAR JOINTS WITH THAT'S A GREAT QUESTION.

WE WILL HAVE TO, IN CERTAIN AREAS.

I MEAN, WE'RE HOPING OBVIOUSLY TO, TO LOCATE THESE AS, UM, IN, IN THE BRICK SPACES AS MUCH AS POSSIBLE WHEN WE GO TO RELAY THESE OUT, UH, 'CAUSE AGAIN, WHEN WE'RE TALKING ABOUT GOING DOWN TO 64 VOLTS, WE WOULD BE REMOVING TWO PLATES THAT WOULD BE OFF THE BOTTOM AND THE TOP ROW.

UM, BUT WE WOULD HAVE TO DO SOME.

UH, AND ALSO TO ENSURE ONCE YOU START GETTING INTO IT, THE PLASTER STARTS CRACKING.

WHAT'S STUCK TO THE PLASTER, HOW IS THAT GONNA DELAMINATE THE BRICK BEHIND IT? MAKING SURE YOU GO DELICATE ENOUGH TO BE ABLE TO GET IN THERE ONCE TO GET IN THERE WHERE YOU'RE GOING WITHOUT THE LAMINATING THINGS AND JUST START MAKING IT WORSE.

ABSOLUTELY.

SO WE'VE

[00:35:01]

GOT A, AN EXPERIENCED INSTALLER AND, UM, APOLOGIZE.

I, I PROBABLY SHOULD HAVE INVITED HIM HERE TODAY.

UH, HE'S DONE PLENTY OF THESE, UM, THROUGHOUT, UH, DFW AREA, UH, INTO MASON RESTRUCTURE SIMILAR TO THIS ONE.

IN THIS CASE, WE'RE ESTIMATING THAT THERE ARE ABOUT FOUR, UH, BRICKS THICK IN ALL THE AREAS THAT WE'RE GONNA DRILL THROUGH.

THE, YOU CAN SEE KIND OF RIGHT HERE IN THIS VIEW, THE FIRST FLOOR, ALL OF 'EM ARE, THE BRICK BACKS ARE FIVE DEEP.

AND THEN AS YOU WORK YOUR WAY UP THERE, ROUGHLY FOUR.

UM, BUT WE'LL HAVE TO CONFIRM THAT AGAIN AS WE, AS WE BEGIN THE EXHIBITION.

IT MIGHT EVEN BE A GOOD SUGGESTION WHEN THIS IS A CURSORY REVIEW.

MM-HMM.

, WHEN YOU COME BACK, MAYBE IT'S A, MAYBE THERE'S A POSSIBILITY TO DO A MOCK JUST IN ONE LITTLE AREA.

TAKE PHOTOS, SEE HOW IT WORKED OUT, BRING IT IN, ABLE TO DO THAT FOR WHEN YOU'RE GETTING A REVIEW.

THAT'S JUST A SUGGESTION.

I WOULD LOVE TO DO THAT.

YES.

IT WOULD HELP ME OUT.

A YEAH.

JUST, I KNOW IT VERY LIMITED YOU NEED TO, WE DON'T DAMAGE THE BUILDING, BUT WE COULD ALSO MAKE SURE YOU COULD PROVE HOW YOU'RE GOING TO DO IT AND WHAT WORDS.

YEP.

THAT MIGHT BE SOMETHING TO CONSIDER.

ABSOLUTELY.

I COMPLETELY AGREE.

AND WE WOULD DEFINITELY WANNA DO THAT BEFORE WE STARTED THE INSTALL.

SO THAT'S A HUNDRED PERCENT.

UM, ON OUR, UH, ON OUR LIST OF, UH, ACTIVITIES, WHO, WHO ELSE IS THERE? 'CAUSE I WANNA MAKE SURE I KNOW WHO THAT'S ALL.

OKAY.

COMMI, COMMISSIONER ANDERSON.

AND THEN COMMISSIONER RENO.

CAN YOU PLEASE EXPLAIN THE HIGHWAY BEAUTIFICATION ACT AND WHY IT'S NOT APPROPRIATE ON THE OTHER SIDE? SURE.

UM, SO THE HIGHWAY BEAUTIFICATION ACT, UM, IMPACTS CERTAIN ROADWAYS THAT RECEIVE FEDERAL FUNDING.

AND IT IS OUR UNDERSTANDING THAT COMMERCE STREET RECEIVED SOME FORM OF FEDERAL, FEDERAL FUNDING, UH, EITHER FOR REPAIRS OR WHATNOT.

UM, UH, I CAN ALSO DEFER TO THE CITY ATTORNEY BACK THERE IF SHE HAS ANY ADDITIONAL FEEDBACK.

BUT, UM, SINCE COMMERCE IS ONE WAY, SINCE COMMERCE IS ONE WAY HEADED EAST, I BELIEVE, UM, THE SIGNS THAT ARE OVER A CERTAIN SQUARE FOOTAGE CANNOT BE VISIBLE FROM THOSE ROADWAYS.

AND SO, UH, IF IT WERE ON THE WESTERN FACADE, IT, THE SIGN WOULD BE VISIBLE FROM COMMERCE STREET.

AND SINCE IT IS ON THE EAST FACADE, IT IS NOT VISIBLE TO VEHICULAR TRAFFIC HEADED EAST, WHICH IS WHY IT'S PERMITTED ON THE EAST FACADE AND NOT THE WEST FACADE.

SO IF I'M RIGHT IN ASSUMING THESE SIGNS ARE UNSIGHTLY, THEY'RE NOT BEAUTIFUL.

I DON'T THE BEAUTIFICATION PART.

SO I GUESS I'M, WHAT YOU'RE SAYING IS THAT THESE SIGNS ARE NOT APPROPRIATE, BE SEEN FROM FREEWAYS BECAUSE THEY'RE NOT BEAUTIFUL.

NO, I, I WOULD RESPECTFULLY DISAGREE WITH WHETHER OR NOT THEY ARE BEAUTIFUL OR NOT.

WELL, IT'S A HIGHWAY BEAUTIFICATION ACT.

SURE.

THE, THIS IS A LITTLE BIT OF A NUANCED, UH, EXCEPTION TO THE, EXCUSE ME, I'M JUST GONNA ZOOM OUT A LITTLE FURTHER.

THE APPLICATION OF THE HIGHWAY BEAUTIFICATION ACT AGAIN.

WELL, NOW I HAVE BEEN TOLD, I DON'T HAVE TO SWEAR TO TELL THE TRUTH, BUT THIS IS MY UNDERSTANDING OF THE LAW.

AND IF THE CITY ATTORNEY'S OFFICE, AGAIN, WOULD LIKE TO, UH, OPINE OR PROVIDE ANY FURTHER CLARIFICATION, I WELCOME THEIR INPUT.

BUT, UH, TRADITIONALLY THE HIGHWAY BEAUTIFICATION ACT WAS APPLIED, UH, TO MORE TRADITIONAL HIGHWAYS.

35, 360 6, UM, 75, 6 35, THESE TYPES OF HIGHWAYS.

BUT THERE WAS A BIT OF A LOOPHOLE OF OTHER ROADS THAT RECEIVED FEDERAL FUNDING THAT COULD, COULD POTENTIALLY FALL UNDER THE HIGHWAY BEAUTIFICATION ACT.

AND I BELIEVE THAT THERE HAS BEEN A STANCE THAT WE ARE TAKING THE MORE THE, THE CITY HAS TAKEN THE MORE CONSERVATIVE APPROACH ABOUT WHAT, WHICH HIGHWAYS ARE IMPACTED.

OBVIOUSLY COMMERCE IS NOT A TRADITIONAL HIGHWAY, BUT BECAUSE IT RECEIVED POTENTIAL FEDERAL FUNDING THAT WOULD BE ENCOMPASSED UNDER THE HIGHWAY BEAUTIFICATION ACT, UH, THE CONSERVATIVE APPROACH IS TO INCORPORATE THAT ROAD AS PART OF THE HIGHWAY.

BEAU.

SO ARE THESE LOOKED AT LIKE BILLBOARDS? HAVE BILLBOARDS BEEN LOOKED AT IN THE PAST? CORRECT.

BILLBOARDS IS PRIMARILY THE, THE SCOPE OF HIGHWAY BEAUTIFICATION ACT EFFORTS.

SO IF BILLBOARDS ARE NOT SUPPOSED TO BE ON FREEWAYS, 'CAUSE THEY'RE UNSIGHTLY, AND NOW WE HAVE THESE IN THE WEST END, WHICH ARE, I FEEL UNSIGHTLY, I MEAN, IT'S A BILLBOARD.

UM, I AM MAYBE IN THE MINORITY, BUT I LIKE OLD BUILDINGS THAT YOU CAN SEE THE WALL.

I KIND OF LIKE SEEING THAT OLD WALL.

I DON'T SEE HOW ADDING A BILLBOARD ON THIS BUILDING IS IN THE REALM OF HISTORIC PRESERVATION.

THAT'S MY OPINION.

SURE.

AND UNDERSTOOD AND APPRECIATE THE FEEDBACK.

I THINK THE, THE DIFFICULTY DOWN IN THE WEST END IT FOR THIS BUILDING AND FOR OTHERS LIKE

[00:40:01]

IT IS BEING ABLE TO, UM, HAVE LA A LASTING FINANCIAL INTEREST IN THE BUILDING.

AND SO BEING ABLE TO AFFIX A SUPER GRAPHIC SIGN LIKE THIS THAT IS MORE ARTISTIC THAN A TRADITIONAL BILLBOARD, UM, AND IS GOVERNED BY MORE STRINGENT PARAMETERS, UH, THIS ALLOWS THE BUILDING TO GENERATE SOME ADDITIONAL FINANCIAL BENEFIT WHERE A BUILDING LIKE THIS, YOU KNOW, IS NOT NECESSARILY ABLE TO GENERATE SUCH, UM, FINANCIAL BENEFIT.

SO, WELL, I WILL NOT BE SUPPORTING THIS BECAUSE I DON'T THINK IT'S FINANCIALLY NECESSARY FOR THE WEST END TO HAVE THESE BILLBOARDS ON THEM.

AND I, I WANNA REMIND EVERYBODY, THIS IS A SPECIAL COURTESY REVIEW.

WE DON'T EVER GET TO VOTE ON THIS PARTICULAR THING.

WE GET TO MAKE RECOMMENDATIONS AS IT MOVES ITS WAY UP TO CITY COUNCIL, WHICH WILL INCLUDE OUR CONCERNS THAT IT, IT DOES ALTER THE, UM, HISTORIC CHARACTER OF A BUILDING TO HAVE A GIANT SIGN ON IT.

BUT WE ALSO DO KNOW THAT A, AN IMPOVERISHED BUILDING THAT HAS NO WAY TO EARN A LIVING MAY NOT BE MAINTAINED.

AND SO THESE MIGHT BE NECESSARY AND THAT BECAUSE THEY COST SO MUCH TO MAKE AND HANG, THEY USUALLY DO PUT A BIT MORE EFFORT INTO DESIGN.

YOU MAY STILL NOT LIKE THE SIGN, BUT IT'S USUALLY A CAREFULLY DESIGNED SIGN, JUST NOT TO MY PERSONAL TASTE USUALLY OR YOURS.

BUT THEY ARE A COMMON THING IN DOWNTOWNS AND THEY DO SEEM TO SERVE A FINANCIAL PURPOSE.

AND I'M SURE THEY KEEP THE ECONOMY GOING TOO.

SO SOME THINGS WE'RE NOT GOING TO NECESSARILY LOVE.

COMMISSIONER RENO IS NEXT.

UH, YEAH, MY QUESTION WAS, UM, REGARDING THE CONSTRUCTION OF THE BUILDING ITSELF, IS THIS A LOAD BEARING WALL THAT IT'S BEING APPLIED TO? OR IS IT, IS THE BRICK ACTUALLY A BASE BRICK INSTEAD? I'LL DEFER TO THE EXPERT.

IT IS LOAD BEARING, UH, THE WALL'S HERE.

THAT'S WHAT, SO FROM A DEAD LOAD PERSPECTIVE, UH, SELF WEIGHT, HOWEVER YOU WANNA KINDA CONSIDER THAT, IT IS, UH, MINIMAL.

WE'RE GOING WITH ALUMINUM AND THEN THIS IS A VINYL GRAPHIC, SO THE WEIGHT WE'RE ADDING TO THE, UH, THE WALLS THEMSELVES ARE VERY, VERY LIGHT, VERY MINIMAL.

YEAH, I, I UNDERSTAND.

YEAH.

I GATHERED THAT WHEN YOU WERE SHOWING THE SECTION BEING 18 INCHES AS OPPOSED TO, YOU KNOW, THREE AND A HALF OR SOMETHING LIKE THAT.

.

I APPRECIATE THAT.

THANK YOU.

UM, AND THEN ONE OTHER THING I THINK JUST TO ADD TO, UH, I THINK THE PREVIOUS COMMENT ON TALKING ABOUT THE BEAUTIFICATION OF THE SIGN OR MAKING IT LOOK A LITTLE BIT BETTER THAN SOME OF THESE OTHERS, UM, YOU GO BACK TO ME, ONE THING WE'VE DONE HERE IS CREATED A REVEAL.

OH, I'M SORRY.

SO, UM, YOU LOOK IN THE BOTTOM RIGHT HAND DETAIL, YOU CAN SEE THE, THE I-BEAM THAT THE ALUMINUM I-BEAM, UM, THE EYE BOLTS ARE HIDDEN INSIDE OF THERE, AND SO WILL THE CABLES THAT HOLD THE GRAPHIC THEMSELVES.

AND SO PART OF THIS, UM, THIS DESIGN ACTUALLY ACTS AS A REVEAL OR A PERIMETER FRAME AROUND IT.

SO THIS ISN'T GONNA BE YOUR TRADITIONAL BILLBOARD WHERE YOU'RE JUST SEEING THIS EXPOSED STEEL AND LADDERS AND THESE DISTORTION BEAMS THAT ARE, THEY'RE NOT, AND WE'VE GOT HAND HANDRAILS ON 'EM.

THIS IS, UH, DESIGNED DIFFERENTLY.

COMING OFF THE FACE OF THE BUILDING ACTUALLY KIND OF HELPED US TO, UH, TO ALLOW US TO PUT SOMETHING LIKE THIS IN PLACE AND CREATE, UH, A BETTER LOOKING STRUCTURE.

I'LL SAY, I HAVE A QUICK, I HAD JUST A QUESTION ON CONTENT.

WHAT CONTENT COME TO US, UH, WHAT THE ADVERTISEMENT WILL BE AND IF NOT US, WHO DOES IT GO TO FOR REVIEW? AND IT SEEMS LIKE IT WOULD GO TO US IF THIS ISN'T A HISTORIC DISTRICT.

SO IT'S, THAT ACTUALLY GOES THROUGH S-S-A-D-C, THE ASSIGNED.

THEY ACTUALLY HAVE TO SUBMIT A CERTIFICATE OF APPROPRIATENESS TO THE, WHAT I REFER TO AS THE SIGN OFFICIALS.

AND SO BASICALLY THEY WILL GO OVER, YOU DON'T REALLY GO OVER CONTENT PER SE, BUT THEY GO OVER LIKE WHITE SPACE TO GRAPHIC PROPORTIONS, THINGS OF THAT NATURE.

BUT I HAVEN'T REALLY SEEN A REVIEW OF SHOULD A BEER SIGN OR SOMETHING ELSE BE THERE? AND ANYTIME IT'S CHANGED, I ASSUME THEY, THEY DO ANOTHER REVIEW ON RIGHT.

WHATEVER THE NEW RULE WOULD BE.

RIGHT.

THEY SUBMIT ANOTHER CERTIFICATE OF APPROPRIATENESS.

MR. PRE, HOW OFTEN DO THESE SIGNS CHANGE ON THE BILL? OR HOW OFTEN WILL THEY CHANGE? OH, HELLO.

I ALSO NEED YOU TO TELL US YOUR NAME AND ADDRESS.

, UH, AARON WATKINS WITH THE OUTDOOR 38 11 GERALD CREEK BOULEVARD, SUITE 1200, UH, SOUTH TEXAS 7 5 2 1 9.

UM, SO I WOULD THINK THAT THESE WOULD LIKELY RUN ON A SIMILAR SCHEDULE TO OUR SUPER GRAPHICS DOWNTOWN, WHICH I CASE.

OKAY.

[00:45:01]

SO FOUR TO SIX MONTHS.

ALRIGHT.

ANY OTHER QUESTIONS OR COMMENTS? BECAUSE WE ARE, AGAIN, ASSEMBLING A RECOMMENDATION TO PASS ON TO THOSE THAT WILL MAKE THE DECISION.

SO OUR PRIMARY CONCERNS ARE DON'T DAMAGE THE BRICK FOR THE, THE MANY WAYS WE HAVE DISCUSSED TODAY FOR AVOID DOING THAT AND, AND THAT, UH, YOU KNOW, WELL, WE'D REALLY RATHER SEE THE WALL OF THE BUILDING, BUT WE UNDERSTAND THE BUILDING HAS TO EARN A LIVING.

SO I HAVE A QUESTION FOR STAFF.

GO AHEAD, SIR.

THE, UM, REQUEST IS TO CREATE A NEW SIGN SUBDISTRICT.

SO IS DOES THAT MEAN THE SUBDISTRICT IS GONNA BE FOR THE WALL OF THIS INDIVIDUAL BUILDING? YES.

YES, SIR.

ALRIGHT.

IF THAT IS EVERYTHING, THERE IS NO ACTION FOR US TO TAKE EXCEPT TO THANK OUR VISITORS AND ASK THEM TO PLEASE BE CAREFUL OF THE WALL .

NEXT STEP WE HAVE COURTESY REVIEW ARE REMOVING THIS OTHER PERSON.

ALL RIGHT.

WE, WE, WE, WE HAVE TO HAVE ANOTHER REARRANGEMENT OF OUR SCHEDULE BECAUSE THERE WAS A SPEAKER HERE FOR D FOUR WHO HAS TO LEAVE.

SO, UM, I MOVE THAT WE ALTER THE PREDETERMINED SCHEDULE THAT WE HAD BY MOVING D FOUR TO BE HEARD.

NOW, UH, THANK YOU FOR YOUR SECOND COMMISSIONER REEVES.

ALL THOSE IN FAVOR, WE SAY I.

ALL RIGHT.

WE WILL HEAR D FOUR.

NOW, ITEM D FOUR IS SEVEN 15 NORTH MARLIS AVENUE IN THE LAKE CLIFF HISTORIC DISTRICT CA 2 4 5 DASH 0 0 1 MW.

AND I'M MARCUS WATSON PRESENTING.

THIS IS A REQUEST FOR A CERTIFICATE OF APPROPRIATENESS TO CONSTRUCT AN EIGHT UNIT, TWO AND A HALF STORY MULTIFAMILY MAIN STRUCTURE ON A BASEMENT GARAGE WITH ASSOCIATED PAVING AND LANDSCAPING ON A VACANT LOT STAFF.

RECOMMENDATION IS THAT THE REQUEST FOR A CERTIFICATE OF APPROPRIATENESS TO CONSTRUCT AN EIGHT UNIT, TWO AND ONE HALF STORY MULTIFAMILY MAIN STRUCTURE ON A BASEMENT GARAGE WITH ASSOCIATED PAVING AND LANDSCAPING ON A VACANT LOT BE APPROVED IN ACCORDANCE WITH DRAWINGS AND SPECIFICATIONS DATED 9 23 24 WITH THE CONDITIONS THAT THE FRONT YARD SETBACK BE VERIFIED AS BEING WITHIN 10 FEET OF THE AVERAGE SETBACK OF BUILDINGS ON THE BLOCK.

FACE THAT THE WINDOWS BE WOOD INSIDE AND OUT WITH EXPRESS BUTTONS AND WITH NO CLADDING, AND THAT THE DOORS BE WOOD AND THAT BOTH BE APPROVED BY STAFF PRIOR TO COMMENCEMENT COMMENCEMENT OF WORK.

IMPLEMENTATION OF THESE RECOMMENDED CONDITIONS WOULD ALLOW THE WORK TO BE CONSISTENT WITH PRESERVATION CRITERIA 3.3, 3.7, 3.8, 7.4, 8.1, 9.4, 9.5, 9.6, 9.7 AND 9.9.

THE STANDARDS IN CITY CODE SECTION 51 A DASH 4.501 G SIX C ROMAN TWO FOR NON-CONTRIBUTING STRUCTURES.

AND THE SECRETARY OF THE INTERIOR STANDARDS FOR SETTING NEIGHBORHOOD DISTRICT TASK FORCE RECOMMENDATION THAT THE REQUEST FOR A CERTIFICATE OF APPROPRIATENESS TO CONSTRUCT AN EIGHT UNIT TWO AND ONE HALF STORY MULTI-FAMILY MAIN STRUCTURE ON A BASEMENT GARAGE WITH ASSOCIATED PAVING AND LANDSCAPING ON A VACANT LOT BE APPROVED WITH CONDITIONS.

CONSIDER THREE WINDOWS ON EACH SIDE OF THE LEVEL OF THE FRONT FACADE.

12 TOTAL.

SIMPLIFY THE SUBMITTAL PACKAGE TO BE LESS CONFUSING.

INCLUDE A WIDE MILLION BETWEEN PAIRED WINDOWS.

SUBMIT ALL FINISHES AND COLORS, INCLUDING BRICK SAMPLES.

THAT SHOULD BE EARTHIER REDS AND SMALL MODULAR SIZE.

USE CASTSTONE NOT PLASTER.

INCLUDE GUTTERS AND DOWNSPOUTS AT PART OF THE SUBMITTAL.

ADD CORNER BOARDS ON DORMERS, SUBMIT ROOF SAMPLE COLOR.

UH, SHOULD BE MEDIUM GRAY WINDOWS ON DORMER SHOULD MATCH THE REST OF THE BUILDING.

WE'LL NEED TO SUBMIT LANDSCAPING AND LIGHTING AT SOME POINT.

ALL RIGHT.

AND OUR SPEAKER IS

[00:50:04]

FEDERICO PENA.

HELLO, SIR.

HI, MEMBERS OF, UH, COMMISSION IS YOUR MICROPHONE ON? HELLO? IT'S ON GO.

ALL RIGHT.

START BY TELLING US YOUR NAME AND ADDRESS AND YOU DO HAVE TO SWEAR TO TELL THE TRUTH.

YES.

UH, MY NAME IS FEDERICO CANTA.

I LIVE ON THREE 90 EAST OPEN WALL, APARTMENT 1 34, DALLAS, TEXAS 75 2 0 3.

AND I PROMISE TO TELL THE TRUTH.

ALL RIGHTY.

YOU HAVE THREE MINUTES TO, UM, UH, ADD IN ANY INFORMATION WE NEED TO KNOW ABOUT YOUR PROJECT.

UM, BASICALLY I WANTED TO SHOW HIM, SHOW UP IN PERSON.

I AM THE LEAD DESIGNER ON THIS CONCEPT SITE PLAN AND, UH, BUILDING.

AND I WANTED TO MAKE SURE THAT I CAN ADDRESS ANY KIND OF CONCERNS THAT THE COMMISSION MAY HAVE RE YOU KNOW, REGARDING THE ARCHITECTURAL STYLE, UH, ANY MATERIALS YOU MIGHT BE USING.

UH, AND I WILL WRITE EVERYTHING DOWN, MAKE SURE THAT, YOU KNOW, WE CAN, UH, ACCOMMODATE THAT.

AND WE DO HAVE MAYBE JUST A COUPLE OF REQUESTS THAT WE WOULD LIKE TO RING TO YOU REGARDING THE, UH, MATERIALS THAT WE'LL BE USING.

UH, BUT OTHER THAN THAT, JUST WANTED TO MAKE SURE THAT I CAN ANSWER ANY QUESTIONS.

ALRIGHT, IT THANKS.

THANK YOU.

UM, ALL RIGHT, COMMISSIONER, IT'S, WE HAD QUESTIONS EARLIER, SO I EXPECT YOU TO POUR FORTH WITH QUESTIONS NOW, COMMISSIONER RENO.

UM, YES, I HAVE A COUPLE OF QUESTIONS ON THE EXTERIOR, UH, FINISHES AND FORMS. UM, I WAS LOOKING AT THE RENDERING, UH, THE, THE FRONT RENDERING FROM MARCELLUS AND ON THE COINS.

UH, APPRECIATE THE FACT THAT YOU'VE ADDED BRICK COINS NOW, BUT THERE STILL SHOWS, UH, A WHITE PORTION IN BETWEEN THE COINS.

I WAS WONDERING WHAT THAT MATERIAL IS, OR IF IT WAS INTENDED THAT ALL OF IT WOULD BE BRICK.

I'M SORRY.

CAN WE, UM, ON, LET'S SEE, IT'S ON 9 84 OF THE DOCKET.

YEAH, THE COLORED RENDERING BECAUSE, UH, SOMETIMES IN RENDER IT'S HARD TO KINDA PUT EVERYTHING, BUT IT SHOULD BE JUST BREAKING MORE ALL THE WAY THROUGH THE CORNERS.

WE SHOULDN'T HAVE ANY OTHER MATERIALS OKAY.

UH, THAT ARE GOING THROUGH THE CORNERS.

UH, AND I SEE WHAT YOU MEAN.

IT COULD HAVE BEEN THAT MAYBE, UH, THROUGH THE RENDER WE EMPHASIZE AND THICKENED THAT THAT MORTAR IN AN EFFORT TO SEPARATE AND DON'T BLEND IN THE CORNER PIECES.

BUT NO, EVERYTHING SHOULD BE BRICK AND MORTAR ONLY.

OKAY.

WE SHOULDN'T HAVE ANY OTHER MATERIALS GOING THROUGH THAT CORNER.

I, I, I APPRECIATE THAT.

OKAY, SO MY SECOND QUESTION IS THAT, SO THE STYLE YOU'VE, UM, UH, ADOPTED IS, UH, IS A GEORGIAN REVIVAL.

AND SO TYPICALLY OF THAT STYLE OF ARCHITECTURE, THE DORMERS WERE EITHER, UM, A PEDIMENT OR RATHER A, A GABLE OR, UH, OR A VAULT IN WORDS CURVED ON THE TOP.

UH, BUT YOU'VE CHOSEN TO DO FLAT.

UM, WOULD YOU CONSIDER DOING A, A MORE SHAPED REP, EITHER A GABLE OR A, OR A VAULT? DOES THAT MAKE SENSE? YES.

SO, UM, WE ARE ON THE ROOFTOP, IF YOU GO A LITTLE BIT HIGHER UP, I THINK IT'S THE PAGE ABOVE THAT.

WE ARE TRYING TO KIND OF CURVE THAT, BUT WE DIDN'T WANT TO REVEAL IT TOO MUCH SINCE WE DON'T HAVE ANY ARCHES GOING THROUGH THE BUILDING.

UH, AND SO SOMEHOW WE'RE GONNA HAVE TO SLOPE THAT WE CAN'T REALLY PUSH IT TOWARDS THE BACK FLAT.

UH, THE IDEA ON THE ROOFTOP, IF YOU SEE THE ARROWS GOING TO THE SIDE, IS TO MAYBE HAVE A SLIDE CURVE, BUT NOT ENOUGH TO REVEAL IT.

WE'RE TRYING TO MATCH WHAT WE HAVE ON THE ENGINE SAYS, WHETHER ON THE MAIN ONE OR ON THE SIDE ONES.

MM-HMM.

.

BUT, UM, MY, MY THOUGHT ON IT WAS TRYING TO KEEP A MORE HORIZONTAL THROUGH THE WINDOWS AND THROUGH THE ENTRANCES.

IF I ADD ARCHES OR HIPS, THEN I FEEL LIKE I WOULD HAVE TO REFLECT THAT, WHETHER ON THE ENTRANCES OR SOMEHOW ON SOME OF THE WINDOWS AS WELL.

YEAH.

SOMETIMES THAT'S WHY I TRY TO MIMIC THAT, UH, RIGHT HORIZONTAL DESIGN ASPECT TO IT.

BUT WE, WE HAVE TO SLOPE THAT.

AND THE IDEA WAS TO KIND OF GIVE IT A SMALL CURVE RIGHT.

ON THAT, BUT NOT TOO REVEALING.

YEAH, NO.

LIKE I WAS MENTIONING BEFORE, I APPRECIATE ALL THE OTHER DETAILS, THE COINS, THE DENTALS ON THE, ON THE SOFFIT, BUT, UH, I DID FEEL LIKE THE DORMERS WERE, WERE OUT OF PLACE, JUST BEING FLAT AND WE CAN CHANGE.

I MEAN, IF THAT'S ONE OF THE COMMENTS THAT, YOU KNOW, WE CAN INCORPORATE, THEN TRYING TO GIVE THOSE DORMERS A LITTLE BIT MORE STYLE IN A WAY, UH, IS DEFINITELY SOMETHING THAT CAN BE, IT'S NOT SOMETHING THAT WE'RE NOT WILLING TO CHANGE, IF THAT MAKES SENSE.

OKAY.

WE CAN DEFINITELY INCORPORATE, UH, SOME DIFFERENT DESIGN TO THE DORMERS GROUPS.

GREAT.

OKAY.

I APPRECIATE THAT.

THANKS.

I, ANYBODY ELSE, ANYBODY AT HOME? I HAD ONE QUESTION.

YOU HAD A, UH, GARAGE VENT VENTILATION IN THE PRIOR REVISION AND, UH, IT LOOKS LIKE IT WAS TAKEN OUT.

ARE YOU PLANNING TO VENTILATE THE GARAGE IN IN SOME OTHER WAY? SO GARAGES WILL HAVE TO BE VENTILATED.

MORE THAN LIKELY.

WE'LL HAVE TO PUT AN EXHAUST PORTION OF IT BECAUSE WE, THE WINDOWS BEFORE WEREN'T GONNA BE, UH, FOR VENTILATION OF THE GARAGE, THAT WAS ACTUALLY GONNA BE JUST, UH, FLAT, UM, GLASS.

IT WAS GOING INSIDE OF THE, THE UNITS THEMSELVES.

UH,

[00:55:01]

BUT YEAH, WE HAVEN'T GOTTEN AS FAR AS HOW TO VENTILATE, BUT DEFINITELY IT'S A, IT'S A UNDERGROUND GARAGE, SO BY CODE WE HAVE TO, UH, EX EXHAUST HERE OUTTA THAT OUT THERE.

SO WILL THAT BE ATTACHED TO THE WALL OR THE LANDSCAPE SOMEWHERE? A LOT OF THE TIMES, UH, THE ACTUAL EX EXHAUST COME THROUGH THE MAIN DRIVE THAT IS THERE, AND THEN WE'LL TAKE IT THROUGH THE FLOOR JOS OUT INTO THE SIDE OR TO THE BACK, BUT IT WOULDN'T BE TO THE FRONT.

OKAY.

WE'LL RUN MORE.

I'M NOT AN EP I'LL HAVE TO COORDINATE THAT, BUT THAT THERE WILL BE A DETAIL OF THAT FROM THE MEP ONCE WE GO INTO CONSTRUCTION.

BUT MORE THAN LIKELY, MOST OF THE EXHAUST STUFF COMES THROUGH .

AND THEN EVEN THE FACT THAT WE DO HAVE THE THREE STORIES IN THE BACK, WE'RE PROBABLY GONNA BE PUSHING EVERYTHING TOWARDS THE BACK AND MAKE SURE THAT THAT AIR COMES OUT OF THERE.

WHAT PIECE CAN I FIND THE WINDOW DETAILS ON? ARE THERE, ARE THERE WINDOW DETAILS PROVIDED? NO, WE'RE JUST, WE HAVE A WINDOW SCHEDULE WHERE WE'RE CALLING OUT THE MATERIALS.

WE HAVEN'T YET PICKED A WINDOW MANUFACTURER, BUT I BELIEVE WE DID HAVE OH, WE DID ACTUALLY.

YEAH, WE, THIS IS, THIS IS ALL THAT I HAD AND I WANTED TO POINT OUT THAT IT'S, IT CALLS FOR ALUMINUM CLAD AND, AND THE STAFF RECOMMENDATION IS NO CLADDING, BUT OTHERWISE, THAT'S ALL I HAVE.

SO, SO ON THE WINDOW THAT'S CORRECT.

THIS CAME FROM, UH, THE, SORRY, UH, HE FOUND A WINDOW WHICH SHOWS WOOD ON, ON THE EXTERIOR, BUT THE ACTUAL STRUCTURAL PORTION OF IT IS, UH, ALUMINUM INSIDE.

UH, AND WE WANTED TO SEE IF THAT'S SOMETHING THAT COULD BE, WHO MAKES THIS WINDOW? I BELIEVE IT'S A MANUFACTURER IN CHINA.

NOT SURE.

I'VE NEVER, I'VE NEVER SEEN SOMETHING NEW.

YEAH, IT'S NEVER SEEN CLAD.

THE DETAILS SHOULD BE ABLE TO, UH, REFLECT THAT PORTION OF IT WHERE IT SHOWS WOOD ON THE EXTERIOR PORTION OF IT, AND THEN THE STRUCTURING SIZE.

YEAH, IT'S GONNA, THAT'S SOMETHING NEW ON THIS.

OH, LET ME KNOW.

UH, I'D BE INTERESTED IN THE, YEAH, REALLY INTERESTED IN THE SPEC.

I'D LIKE TO SEE THE SPEC, THE, THE, THE, THE PROFILE, WHETHER OR NOT WE HAVE ANY KIND OF PROFILE ON THE BOTTOM, UH, RAIL, UH, THE WINDOW LIGHTS, APPLICATOR, IS IT TRUE DIVIDED LIGHT? IS IT APPLICATE? IS IT, WHAT ARE THE APPLICATIONS ON THAT ON THAT, IF IT'S NOT TRUE DIVIDED LIGHT.

AND I DON'T KNOW IF THAT WOULD GET PAST ANYWAY.

UM, AND THE OTHER QUESTION I HAD TOO, JUST BY LOOKING AT THE ELEVATION AND THE DORMER LIGHTS, THEY'RE, THEY'RE THE, THEY'RE ELONGATED THIS WAY, IT LOOKED LIKE FROM YOUR, YOU KNOW, THEY'RE NOT, UH, THEY'RE NOT MATCHING THE DIVIDED LIGHTS, AT LEAST ON THE ELEVATION.

IT DID.

IT MIGHT HAVE JUST BEEN THE WAY IT WAS DRAWN.

I DON'T KNOW.

THAT'S WHY I WAS WONDERING ABOUT THE WINDOW SCHEDULE AND WINDOW DETAILS.

SEE THE WINDOW LIGHTS, HOW THEY'RE, THEY'RE THEY'RE HORIZONTAL BASICALLY INSTEAD OF, THAT CAME UP IN TASK FORCE AS WELL.

YEAH.

WELL, WHAT WAS THE ANSWER THAT IT, THAT IT SHOULD BE, UH, SHOULD REFLECT THE SAME AS THE, THE WINDOWS BELOW.

AND IF THE, IF WE'RE GOING OFF ON LIKE WHETHER OR NOT THESE ARE APPROVED, BASICALLY LIKE IF IT'S A WOOD WINDOW AND IT'S APPROVED, THEN IT'S THIS, THESE WON'T COME BACK TO US.

THEY'LL GO JUST TO YOU ON STAFF.

SO THAT IS MY RECOMMENDATION.

WE HAVE TO LOOK AT IT RECOMMENDATION.

THAT IS MY RECOMMENDATION AS OF RIGHT NOW, IS THAT AT LEAST STAFF WOULD HAVE A, A FINAL LOOK AT IT.

MM-HMM.

.

BUT THAT IT WOULD HAVE TO BE WOOD WINDOWS, NO CLADDING.

UM, BUT WE, SO WE, BUT I, BUT YOU COULD ALWAYS CHANGE THAT CONDITION TO BE THAT YOU WANT TO SEE IT AGAIN.

YEAH.

RIGHT.

YEAH.

THAT'S WHY I WAS JUST MAKING SURE THAT WE UNDERSTOOD THAT WE MIGHT NOT HAVE ENOUGH HERE TO ACTUALLY GIVE IT A CARTE BLANCHE APPROVAL ON CERTAIN THINGS THAT IT MIGHT NEED TO COME BACK TO US TO SEE IT AGAIN.

SO, UM, IF I, MY DOOR, UH, SORRY, I FORGOT WHAT I WAS GONNA SAY.

, HANG ON.

WE'RE THINKING YOUR HONOR.

NO, THAT'S OKAY.

LEMME GATHER MY THOUGHTS HERE FOR A SEC.

THAT'S OKAY.

ONTO THE NEXT ONE, WHOEVER, IT'S COMMISSIONER ANDERSON.

UH, I AM HAVE A QUESTION ABOUT THE WINDOWS.

AM I RIGHT THAT YOU SAID THERE'S ALUMINUM IN THE MIDDLE AND THEN WOOD ON THE OUTSIDE? IF I UNDERSTAND CORRECTLY, IT'S ON THE FRAME PORTION OF IT AND THE MECHANICAL PORTION OF IT, BUT THE EXTERIOR FRAMES WOOD AND SO ARE THE LIGHTS.

SO IS THERE WOOD ON TOP OF THE ALUMINUM? YES.

SO HOW THICK IS THE WOOD PART ABOUT? I ACTUALLY HAVEN'T QUITE GOTTEN THAT, THAT PART INTO SPEC TO SEE WHAT IT, WHAT IT WAS.

I MEAN, IS IT LIKE, IS IT, I GUESS I NEED TO KNOW.

WE NEED TO KNOW, I MEAN, IF IT'S JUST A VENEER OR IF IT'S A 'CAUSE IF YOU'RE GONNA HAVE THE STRUCTURE'S GONNA BE METAL WITH A WOOD APPLIED, WE THINK WE NEED TO KNOW HOW MUCH WOOD THERE IS.

YEAH,

[01:00:01]

I, I HAVE TO TAKE ANOTHER LOOK AT ASPECT THAT WE WERE JUST LOOKING AT TO, TO REALLY SEE WHAT, WHAT THAT IS.

OKAY.

BUT I CAN BRING IT BACK TO YOU IN REGARDS TO THAT.

OKAY.

THANK YOU .

I HAD ONE FOLLOW UP QUESTION TO THE, UM, AND THIS HAS TO DO WITH THE, THE LANDSCAPE, UH, RETAINING WALL, UH, AT THE STAIR ON THE FRONT.

UM, AND I'M ASSUMING THAT'S ALL PART OF THE SAME PART OF THE, UH, APPLICATION, UM, GENERALLY THAT THAT CHEEK WALL OR THE, UM, THE PART THAT, THAT FOLLOWS THE, THE STAIRS THAT'S GOING UP HAS A LITTLE BIT OF A, A CURVE TO IT.

I THINK YOU WERE JUST RUNNING A STRAIGHT LINE FROM, FROM THE TOP OF THE WALL TO THE TOP OF THE STAIR.

UM, AND I THINK SOME OF THE OTHER, I DON'T KNOW IF IT'S IN THIS NEIGHBORHOOD SPECIFICALLY, BUT WHEN WE TALK ABOUT WATERFALL TYPES OF STAIRS, THOSE CHEEK WELLS GENERALLY HAVE A, A GENTLE CURVE TO 'EM AND, UH, UH, APPRECIATE IF YOU COULD ADD THAT TO THE, TO THE DESIGN.

YEAH, THERE'S UH, SOME ORIGINAL WALL S UPSTAIRS ON THE PROPERTY.

YEAH.

SO IT CREATES KIND OF LIKE A EIGHT INCH KINDA CURVE THROUGH THE SLOPE.

IT CAN, IT'S A BIT OF AN OT, SOMETHING THAT WE CAN, WE CAN PUT TO MAKE SURE THAT WE MATCH EVERYTHING THAT IS IN THE NEIGHBORHOOD AND STUFF.

THANK YOU.

UM, IT, YOU KNOW, WE'RE, UH, VERY FOCUSED I GUESS ON THE BUILDING AND THAT'S THE BIG PORTION OF IT, BUT WE CAN DEFINITELY ACCOMMODATE A DELAY THAT.

WONDERFUL.

THANK YOU.

UH, PERFECT.

ALRIGHT.

UH, ANY OTHER COMMISSIONER QUESTIONS? ONE OF THE THINGS THAT I JUST WANTED TO GO BACK REGARDING THE WINDOWS AND THE, UH, HOW THE SEPARATION IS, IT MAKES THAT WINDOW LOOK HORIZONTAL BECAUSE THE WAY THAT WE'RE BREAKING THAT LIGHT, UH, WE'RE TRYING TO KEEP A CERTAIN HIERARCHY GOING FROM THE FIRST FLOOR INTO THE SECOND FLOOR INTO THE DORMERS.

ALSO THE DORMERS ARE, THEY START OFF WITH A SLOPE ROOF AND THEN THEY GO INTO NINE AND WE HAVE TO KEEP A CERTAIN DISTANCE FROM THE FRONT UP AND A CERTAIN SQUARE FOOTAGE FOR THAT WINDOW OPENING.

BUT I THINK IF WE CAN JUST KEEP THE SAME SIZE OF WINDOW BY BREAKING DOWN, MAYBE ADDING MORE OF THOSE LIGHTS AND JUST MAKE IT LOOK MORE VERTICAL, THAT COULD GIVE YOU A DIFFERENT, UH, LIKE FEEL THAT IS NOT LOOKING HORIZONTAL, BUT RATHER MORE VERTICAL.

I THINK WHAT I WAS ADDRESSING WAS MAINLY ACTUALLY THE DIVIDED LIGHT, NOT THE WINDOW ITSELF, BUT THE DIVIDE.

WHAT WAS DISCUSSED IN TASK FORCE MEETING IS IF THOSE, UH, DORMER WINDOWS JUST WERE SIX OVER SIX, LIKE THE SECOND FLOOR WINDOWS, THAT WOULD MAKE A DIFFERENCE SIX OVER SIX INSTEAD OF FOUR OVER FOUR.

YEAH.

AND THAT'S, UH, THAT'S AN ARCHITECTURAL CHOICE WHEN IT COMES TO THE DESIGN.

RATHER THAN TRYING TO KEEP 6, 6, 6, IT TAKES AWAY FROM THE IMPORTANCE OF THE MAIN FLOOR AND WHERE THE ENTRANCE IS AT MOVING ALSO THAT THE FIRST FLOOR IS 10 FEET HIGH, NINE FEET HIGH, NINE FEET HIGH, AND THEN THE DORMERS ARE COMING A LITTLE BIT, UH, NARROW AND WITH A SLOPED ROOF.

AND SO WE'RE TRYING TO KEEP PART OF THAT HIERARCHY MOVING AS WE GO FROM FLOOR TO, UH, TO IS THAT, UM, PREFERENCE FOR A HIERARCHY BASED ON THE, UH, HISTORICAL STYLE AND HOW IT TENDED TO BE EXPRESSED.

SO THE ARCHITECTURAL STYLE CAN BE BOTH VERY SYMMETRICAL WHERE EVERYTHING IS THE SAME AS YOU GO VERTICALLY OR AS YOU GO HORIZONTALLY.

OR YOU CAN ACTUALLY, UH, PUT EMPHASIS ON THE HIERARCHIES ON THEIR FLOORS JUST BECAUSE LET'S JUST SAY IF YOU HAVE LIKE A 14 CEILING, WHICH WOULD'VE BEEN NORMAL ALSO LIKE 12 FEET OR SOMETHING LIKE THAT, THEN EVERYTHING ON THE FIRST FLOOR IS ALWAYS GONNA BE GROUNDED.

LIKE WHETHER IT'S A WINDOW, A DOOR AND EVERYTHING ELSE.

AND AS YOU MOVE UP THE ARCHITECTURAL STYLE AND YOU GO INTO A 10 FOOT CEILING INTO AN ATTIC THAT IS PROBABLY SEVEN FEET OR SO, THEN YOU KEEP THE HIERARCHY MOVING AND THE PROPORTION MOVING SMALLER AS YOU MOVE UP.

UH, BUT IT ALL, IT ALL DEPENDS ON ALSO THE SPACES WITHIN THE BUILDING, NOT ONLY WHAT YOU SEE FROM OUTSIDE.

IN THIS CASE WE HAVE 10 FEET, NINE FEET AND THEN ADE.

SO WE DECIDED TO GO WITH THE STYLE, THE GEORGIAN STYLE WITH HIERARCHY RATHER THAN A MORE SYMMETRICAL VIEW.

I, I'M, I'M NOT SURE THAT, YOU KNOW, GEORGIAN REVIVAL TEND TO ALWAYS EXPRESS SUCH A, UM, A HIERARCHY BECAUSE IT WAS A RATHER SIMPLISTIC INTERPRETATION OF WHAT HAD ALREADY BEEN SPECIFICALLY A SIMPLISTIC VERSION OF THE POPULAR STYLES AT THE TIME.

SO, AND WHAT I WOULD MIGHT SUGGEST, IF THAT WAS THE CASE, UH, WHAT YOU HAVE IS CONFLICTING.

IT'S NOT ACTUALLY MAKING PART OF YOUR HIERARCHY STATEMENTS, BUT IT'S ACTUALLY CONFLICTING WITH THE BOTTOM.

AND I, I WOULD BE IN MORE, UH, IN KIND TO LOOK AT A ONE OVER JUST A SIMPLIFIED ONE OVER ONE ON DORMERS.

AND THAT WOULD GO THROUGH YOUR HIERARCHY KIND OF APPROACH.

AND ALSO THAT WOULD MAKE IT A LITTLE BIT MORE, UH, AT EASE AND NOT CONFLICT AND FIGHT WITH THE, UH, BOTTOM FLOORS.

SURE.

I, OKAY.

I, UH, I PUT A COUPLE OF EXAMPLES TOO.

SO ON THE BOTTOM, SO YOU GUYS SEE, WHAT WAS THE, UM, THE, THE DESIGN

[01:05:01]

APPROACH, WHAT WE'RE TRYING TO MIMIC WHEN IT CAME TO THIS TELE ARCHITECTURE? 'CAUSE THERE ARE SOMETIMES THERE ARE STYLES THAT YOU CAN PICK, THINGS THAT YOU CAN PICK ON.

A STYLE IS NOT EXTREMELY ONE WAY AND THERE ARE VARIATIONS THAT HAPPEN THROUGHOUT THE STYLE.

UH, AND SO I WANTED TO MAKE SURE THAT, HEY, THIS IS WHAT WE'RE TRYING TO FOLLOW IN REGARDS TO THE ARCHITECTURE.

A CHAIN THERE IS, YOU KNOW, GEORGIA IN ENGLAND, GEORGIA IN AMERICA, MATERIALS ARE DIFFERENT, PORTION ARE DIFFERENT.

SO YEAH, I UNDERSTAND.

BUT THE ONLY THING IS, I'M JUST GONNA BE SPECIFIC ABOUT THE ACTUAL DIVIDED LIGHT AND THE DORMERS CONFLICTING WITH THE DIVIDED LIGHT ON THE MAIN HOUSE WINDOWS, JUST BOTTOM LINE WITHOUT ANY TALKS ABOUT DESIGN OR HIERARCHY, IT CONFLICTS, UH, THE AESTHETICS OF IT.

CONFLICTS WE'RE TALKING ABOUT WHERE THE DORMER IS, THE TWO WINDOWS AND THEN THE TWO WINDOWS BELOW IT, THAT PORTION IN THE MIDDLE, I'M TALKING ABOUT THE DIVIDED LIGHT INSIDE THE WINDOW OF THE DORMER.

OH, OKAY.

I SEE THE, THE CONFIGURATION OF THE LIGHT, EXCUSE ME, I'M ABOUT TO LOSE MY VOICE HEAD STRUCK ABOUT TWO WEEKS AGO.

BUT ANYWAY, STOOD SUN TONE REGARDING THE, THE MORE VERTICAL ONE THAT IS, I MEAN MORE SQUAREISH THAT IS HAPPENING ON THE, OKAY.

AND THAT'S WHY I THINK I WAS TRYING LIKE MAYBE WE CAN BREAK THAT DOWN INTO BEING A LITTLE BIT DENSER WHEN IT COMES TO THE LIGHTS ON THE SEC, ON THE ATTIC WINDOWS.

AND THAT WILL MAKE IT LOOK MORE SQUAREISH RATHER THAN HORIZONTAL, UH, SQUARE.

YEAH.

THEN, THEN MY, I GO MY ROOF.

I NEED TO BE AT 36 INCHES FROM THE, FROM THE, UM, FLOOR.

AND THEN I NEED TO HAVE A CERTAIN SQUARE FOOTAGE.

THAT'S WHY IT'S SUCH A LITTLE SPACE WHEN IT COMES FROM THE DORMER ON TOP OF THAT WINDOW.

UH, SO THAT'S, THOSE ARE THE KIND OF THINGS THAT WE HAVE TO BE CAREFUL WHEN WE ALSO DEAL WITH THE, THE CODE PORTION OF IT.

UH, I'M JUST, I'M NOT TALKING ABOUT CHANGING ANY OF THE ELEVATIONS OR ANYTHING.

I'M JUST TALKING ABOUT YOUR, YOUR, YOUR WINDOW.

YOU HAVE NARROW IT.

NO, NO.

OKAY.

JUST, JUST I'M NOT UNDERSTANDING.

I'M SORRY.

YOUR WINDOW AND THE DIVIDED LIGHT THAT'S INSIDE THE WINDOW, YOU HAVE DOWN BELOW ON THE FLOORS YOU HAVE THESE, UH, SIX OVER SIX.

AND UP HERE, YOU KNOW, YOU HAVE THESE TWO